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IMPREGNATING THE SITTER GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE! She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys. April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going? April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it! April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed. As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath. TITLE PLATE CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion. It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe. 'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table. Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife. She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out. April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?' April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted. April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead. And now? Claire is gone... When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter. April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish... April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal. Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

IMPREGNATING THE SITTER GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE! She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys. April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going? April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it! April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed. As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath. TITLE PLATE CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion. It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe. 'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table. Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife. She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out. April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?' April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted. April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead. And now? Claire is gone... When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter. April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish... April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal. Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

4 years ago 1690 6:14
Cute little Axel Bolt is a studious young man who takes learning extremely seriously, he would just die if he got a B on a test. But, even boys as dedicated to their studies as he clearly is can't possibly ignore the opportunity for some BoyFun, especially when it's a horny friend as sexy as Nathan Reyes offering it. After initially failing to entice his buddy away from his computer with merely the suggestion of some fun, he goes nuclear and hauls out his long uncut cock. Most boys would have been on that dick the second it was offered, but although Axel was reluctant at first he can't refuse when he feels that warm length in his grip. With a little kissing Axel is pinned on the bed, a naked Nathan straddling him, his cock bulging and demanding some love. After working his way down to Axel's package he finds a delicious young dong waiting for him, glistening with precum, rigid with delight as it slips between his lips. The moans of bliss start in earnest when Nathan shows his oral skills, gobbling his pal's prick and soon sharing his own engorged member with his adorable little friend. With their smooth and slim bodies totally free of clothing and their cocks raging for more pleasure Nathan takes the lead, sliding his naked hole down on his friend's cock and riding him, his own big boner swinging and bouncing, bulging in his stroking hand while he fucks himself on his pal's cock and jerks off. On his knees and fucked from behind Nathan gets it even deeper, little Axel's hips humping up against his ass cheeks, the boy's stiff dick sliding inside him and hitting that sweet spot. All thoughts of tests and papers are momentarily absent from the boy's mind as he spoons his friend and then fucks his pert little buns from above, finally pulling out and laying back to blast his teen cream right in Nathan's waiting face. With the taste of Axel's cum on his lips he wanks off, thick cream pumping from his foreskin sheathed helmet, kissing his buddy while the climax flows through him. All hard working boys deserve a break from time to time, Axel has just learned the truth of that.

Cute little Axel Bolt is a studious young man who takes learning extremely seriously, he would just die if he got a B on a test. But, even boys as dedicated to their studies as he clearly is can't possibly ignore the opportunity for some BoyFun, especially when it's a horny friend as sexy as Nathan Reyes offering it. After initially failing to entice his buddy away from his computer with merely the suggestion of some fun, he goes nuclear and hauls out his long uncut cock. Most boys would have been on that dick the second it was offered, but although Axel was reluctant at first he can't refuse when he feels that warm length in his grip. With a little kissing Axel is pinned on the bed, a naked Nathan straddling him, his cock bulging and demanding some love. After working his way down to Axel's package he finds a delicious young dong waiting for him, glistening with precum, rigid with delight as it slips between his lips. The moans of bliss start in earnest when Nathan shows his oral skills, gobbling his pal's prick and soon sharing his own engorged member with his adorable little friend. With their smooth and slim bodies totally free of clothing and their cocks raging for more pleasure Nathan takes the lead, sliding his naked hole down on his friend's cock and riding him, his own big boner swinging and bouncing, bulging in his stroking hand while he fucks himself on his pal's cock and jerks off. On his knees and fucked from behind Nathan gets it even deeper, little Axel's hips humping up against his ass cheeks, the boy's stiff dick sliding inside him and hitting that sweet spot. All thoughts of tests and papers are momentarily absent from the boy's mind as he spoons his friend and then fucks his pert little buns from above, finally pulling out and laying back to blast his teen cream right in Nathan's waiting face. With the taste of Axel's cum on his lips he wanks off, thick cream pumping from his foreskin sheathed helmet, kissing his buddy while the climax flows through him. All hard working boys deserve a break from time to time, Axel has just learned the truth of that.

3 years ago 2005 4:13
Welcome to the Divine Bitches Reformatory for Wayward Men. The stunning Chanel Preston is the head of this house and is responsible for administering a uniquely unorthodox treatment for the men here. Dressed in her medical lab coat, black stockings and tight black dress, she puts black gloves on her hands before approaching her patient Rick Fantana. Rick is a pervert. No two ways around this, he has been in treatment for over a year and is not showing any signs of improvement. Chanel knows it's time for the next phase, PAIN. Rick Fantana the pervert deserves pain and punishment. Fully restrained with leather straps and an open mouth spider gag, Chanel starts right away. Electric zapper right to the dick. Caning on all of Rick's sensitive areas. Clamps all over his skin and nipples. Rick screams in pain. Chanel knows the only way this loser man will learn is if she mixes a little bit of pleasure. Rick's cock gets hard and dripping wet with precum but he is not allowed to cum. Edged over and over again by Chanel, this man wimpers with regret of his past life. Phase two is the most effective. Chanel straps on a huge cock and fucks Rick's sad hole. This pervert gets off on it and is rock hard again. After the anal pounding, it's time for Rick to learn how to pleasure a woman. Rick is made to perform cunnilingus on Chanel before she flips him over and uses his pathetic dick for an epic orgasm. Finally Rick must hold his cum, edged over and over again. But, this loser loses it and is made to eat his own cum.

Welcome to the Divine Bitches Reformatory for Wayward Men. The stunning Chanel Preston is the head of this house and is responsible for administering a uniquely unorthodox treatment for the men here. Dressed in her medical lab coat, black stockings and tight black dress, she puts black gloves on her hands before approaching her patient Rick Fantana. Rick is a pervert. No two ways around this, he has been in treatment for over a year and is not showing any signs of improvement. Chanel knows it's time for the next phase, PAIN. Rick Fantana the pervert deserves pain and punishment. Fully restrained with leather straps and an open mouth spider gag, Chanel starts right away. Electric zapper right to the dick. Caning on all of Rick's sensitive areas. Clamps all over his skin and nipples. Rick screams in pain. Chanel knows the only way this loser man will learn is if she mixes a little bit of pleasure. Rick's cock gets hard and dripping wet with precum but he is not allowed to cum. Edged over and over again by Chanel, this man wimpers with regret of his past life. Phase two is the most effective. Chanel straps on a huge cock and fucks Rick's sad hole. This pervert gets off on it and is rock hard again. After the anal pounding, it's time for Rick to learn how to pleasure a woman. Rick is made to perform cunnilingus on Chanel before she flips him over and uses his pathetic dick for an epic orgasm. Finally Rick must hold his cum, edged over and over again. But, this loser loses it and is made to eat his own cum.

4 years ago 1442 4:00
IMMERSION THERAPY: A JAY TAYLOR STORY WOMAN AGREES TO INTENSIVE DP THERAPY SESSION TO CURE PHOBIAS Scene opens on Erin (Jay Taylor), a 25-year-old woman, as she sits on a couch immersed in herself. She's dressed in loose loungewear, her body language nervous and uncomfortable, while her therapist, Daniella (Angela White), talks to her. But Erin isn't listening. She's more engrossed in her own thoughts, her foot tapping, her fingers scratching an itch on her arm. Daniella addresses her more clearly, 'Erin?' The woman snaps to attention, but still remains closed off. The therapist continues, 'I really need you to pay attention and work with me today. If I'm being honest, I'm running out of ideas on how to continue. Now, did you do the homework I assigned last session?' Erin frowns. CUT to a flashback. Erin stands in front of a mirror and slowly undresses. Her naked body elicits no response from her. While she dutifully starts to run her hands over herself, she looks away as though trying to pretend something else more interesting is happening on the wall. She clumsily squeezes her own breasts, but when she tries to explore between her legs she recoils as if disgusted. CUT back to the therapist's office. Erin slowly responds to the question, 'Um... I went as far as I could.' Daniella is almost at a loss, and though her words are measured, she is frustrated, 'Okay ... What is it about your own body that repulses you?' Erin stiffens, she doesn't want to answer this question again. 'It's not MY body. It's anyone's body! They're so messy, so bestial. The way they look, feel, smell, sound...' Daniella interrupts her almost absent-mindedly, 'And taste? Erin, this is becoming almost beyond what I can help you with in my practice. I have one more technique we could try, but it is going to be more intensive than our other methods so far. So, I would need you to commit wholeheartedly.' Daniella's offer intrigues Erin. She sits up, focused. 'I don't want to go to anyone else. I'm willing to do whatever you think we need to do.' Daniella smiles, 'Excellent. I'll prepare the consent forms.' CUT TO TITLE PLATE Erin sits on the floor of the therapist's office, the desk pushed back, and a selection of pillows and blankets now artfully arranged around her. She seems curious but apprehensive, clutching the consent form in her hand as Daniella finishes laying out the space. 'Excellent, this should give us the comfortable setting we require,' she says, motioning to Erin to hand over the form. The patient does so, and Daniella scans it to confirm all the fields are complete. 'Good,' She says, putting it on the desk. 'Now, I need you to trust me. You want to get better, yes?' Erin nods, and Daniella continues, 'Good. Why don't we get a little more comfortable? Take your sweater off, and I'll do the same.' Erin hesitates for just a moment, before both women remove an outer layer of clothing. This leaves Erin in a tank top and Daniella in a bra. Erin tries not to stare at her breasts. She feels incredibly anxious but Daniella smiles, 'Wonderful. Look at how far you've come already. Now, just mirror what I do.' She starts caressing her own body, starting benignly with her arms and waist, then moving to her breasts. Every time Erin pauses or panics, she encourages her. They continue touching themselves, first their legs, then between them. Erin finally relaxes into this and they masturbate without touching each other. When they begin getting close to climax, a young man (Seth Gamble) enters the room silently and slips behind Daniella to fondle her breasts. Erin is startled, but Daniella quickly calms her, 'Don't mind him! He's just my assistant. An extra pair of hands. Focus on me!' Erin's eyes lock back onto hers and she continues cautiously masturbating. After a few moments of this, Daniella asks Erin to undress from the waist down. Erin complies and slips her leggings and panties off. She resumes masturbating as Daniella bends over and the man starts to go down on Daniella from behind. Erin is completely focused on Daniella and continues to masturbate. Erin can imagine what is happening to her therapist, but she can't see it, so Daniella describes it to her ... building up to asking Erin if she wants to know what it feels like too. Erin nervously says yes. Daniella gracefully crawls over to Erin. She spreads Erin's legs, eating her pussy as Erin shudders with pleasure. At the same time, the man begins to fuck Daniella from behind. Soon, all three of them are moaning with ecstasy when another young man (Codey Steele) enters. He walks up to Erin and asks if he can remove her top. Daniella reassures her again that he is another assistant, here to support them during their session. She should continue to focus on her and relax. Erin slowly says yes. The second assistant removes Erin's top, squeezing her tits. The first assistant slides his cock out of Daniella and she begins to suck it. When the second assistant walks around to face Erin, Daniella again instructs Erin to mirror her. Erin starts to suck the second assistant's cock, and Daniella talks her through it, getting her in touch with her carnal side, but their focus remains on each other. As Erin continues to suck the second assistant's cock, Daniella gets on top of her assistant and begins riding him as she faces Erin. She coaxes Erin down to get on all fours, close enough where the two women can almost kiss. The second assistant gets behind Erin and slides his dick into her. The second assistant fucks Erin as she squeals loudly. But unbeknownst to Erin, his dick isn't going to be the only cock penetrating her body today. Is Erin ready for the FINAL phase of her immersion therapy?

IMMERSION THERAPY: A JAY TAYLOR STORY WOMAN AGREES TO INTENSIVE DP THERAPY SESSION TO CURE PHOBIAS Scene opens on Erin (Jay Taylor), a 25-year-old woman, as she sits on a couch immersed in herself. She's dressed in loose loungewear, her body language nervous and uncomfortable, while her therapist, Daniella (Angela White), talks to her. But Erin isn't listening. She's more engrossed in her own thoughts, her foot tapping, her fingers scratching an itch on her arm. Daniella addresses her more clearly, 'Erin?' The woman snaps to attention, but still remains closed off. The therapist continues, 'I really need you to pay attention and work with me today. If I'm being honest, I'm running out of ideas on how to continue. Now, did you do the homework I assigned last session?' Erin frowns. CUT to a flashback. Erin stands in front of a mirror and slowly undresses. Her naked body elicits no response from her. While she dutifully starts to run her hands over herself, she looks away as though trying to pretend something else more interesting is happening on the wall. She clumsily squeezes her own breasts, but when she tries to explore between her legs she recoils as if disgusted. CUT back to the therapist's office. Erin slowly responds to the question, 'Um... I went as far as I could.' Daniella is almost at a loss, and though her words are measured, she is frustrated, 'Okay ... What is it about your own body that repulses you?' Erin stiffens, she doesn't want to answer this question again. 'It's not MY body. It's anyone's body! They're so messy, so bestial. The way they look, feel, smell, sound...' Daniella interrupts her almost absent-mindedly, 'And taste? Erin, this is becoming almost beyond what I can help you with in my practice. I have one more technique we could try, but it is going to be more intensive than our other methods so far. So, I would need you to commit wholeheartedly.' Daniella's offer intrigues Erin. She sits up, focused. 'I don't want to go to anyone else. I'm willing to do whatever you think we need to do.' Daniella smiles, 'Excellent. I'll prepare the consent forms.' CUT TO TITLE PLATE Erin sits on the floor of the therapist's office, the desk pushed back, and a selection of pillows and blankets now artfully arranged around her. She seems curious but apprehensive, clutching the consent form in her hand as Daniella finishes laying out the space. 'Excellent, this should give us the comfortable setting we require,' she says, motioning to Erin to hand over the form. The patient does so, and Daniella scans it to confirm all the fields are complete. 'Good,' She says, putting it on the desk. 'Now, I need you to trust me. You want to get better, yes?' Erin nods, and Daniella continues, 'Good. Why don't we get a little more comfortable? Take your sweater off, and I'll do the same.' Erin hesitates for just a moment, before both women remove an outer layer of clothing. This leaves Erin in a tank top and Daniella in a bra. Erin tries not to stare at her breasts. She feels incredibly anxious but Daniella smiles, 'Wonderful. Look at how far you've come already. Now, just mirror what I do.' She starts caressing her own body, starting benignly with her arms and waist, then moving to her breasts. Every time Erin pauses or panics, she encourages her. They continue touching themselves, first their legs, then between them. Erin finally relaxes into this and they masturbate without touching each other. When they begin getting close to climax, a young man (Seth Gamble) enters the room silently and slips behind Daniella to fondle her breasts. Erin is startled, but Daniella quickly calms her, 'Don't mind him! He's just my assistant. An extra pair of hands. Focus on me!' Erin's eyes lock back onto hers and she continues cautiously masturbating. After a few moments of this, Daniella asks Erin to undress from the waist down. Erin complies and slips her leggings and panties off. She resumes masturbating as Daniella bends over and the man starts to go down on Daniella from behind. Erin is completely focused on Daniella and continues to masturbate. Erin can imagine what is happening to her therapist, but she can't see it, so Daniella describes it to her ... building up to asking Erin if she wants to know what it feels like too. Erin nervously says yes. Daniella gracefully crawls over to Erin. She spreads Erin's legs, eating her pussy as Erin shudders with pleasure. At the same time, the man begins to fuck Daniella from behind. Soon, all three of them are moaning with ecstasy when another young man (Codey Steele) enters. He walks up to Erin and asks if he can remove her top. Daniella reassures her again that he is another assistant, here to support them during their session. She should continue to focus on her and relax. Erin slowly says yes. The second assistant removes Erin's top, squeezing her tits. The first assistant slides his cock out of Daniella and she begins to suck it. When the second assistant walks around to face Erin, Daniella again instructs Erin to mirror her. Erin starts to suck the second assistant's cock, and Daniella talks her through it, getting her in touch with her carnal side, but their focus remains on each other. As Erin continues to suck the second assistant's cock, Daniella gets on top of her assistant and begins riding him as she faces Erin. She coaxes Erin down to get on all fours, close enough where the two women can almost kiss. The second assistant gets behind Erin and slides his dick into her. The second assistant fucks Erin as she squeals loudly. But unbeknownst to Erin, his dick isn't going to be the only cock penetrating her body today. Is Erin ready for the FINAL phase of her immersion therapy?

4 years ago 1537 6:14